1/9/2024 0 Comments Jonathan butlerHe listened to them growing up in the 70s, never dreaming that one day he would create a legacy of his own in contemporary jazz. Before doing a little time traveling back to the late ’80s with his easy-flowing, autobiographical “7 th Avenue,” Butler offered a bit of insight into his formative genre influences, most notably George Benson and Earl Klugh. He launched with the exotic and intoxicating “African Moon,” a fast-rolling, mostly instrumental tune featuring his snazzy foreign language scatting and his punchy acoustic guitar artistry, in addition to explosive solos by Jones and drummer Ron Otis. Looking super hipster with his tan hat, brown jacket, black jeans and white tennis shoes, Butler held court for the next hour or so with a mix of greatest hits and deep album cuts that reflected the music of his heritage that shaped his artistry and his remarkable journey from his small South African village to an impactful career performing all over the world. No birthday bash would be complete without musical testimony from the guest of honor’s family, and Butler’s daughter (and longtime tour mate) Jodie brought the proverbial house down with the much-needed post-pandemic uplift of her dad’s 2010 power ballad “You Got To Believe in Something.” Butler’s wife Nadira then added some cool classical-flavored jazz to the eclectic mix with a sensual, lyrical tune that showcased her mastery of the violin. Whalum ran back up to jam with Miller on the hands-down funkiest joint of the night, a slamming, bottom-heavy yet buoyant romp through Stevie Wonder’s “Higher Ground.” When Miller took the stage, he pulled his hidden bass from the back of the stage, then prefaced the atmospheric soul-jazz ballad he played – which naturally featured his trademark snappy bass vibes, backed by keyboardist Arlington Jones’ tasty Rhodes harmonies – by telling the crowd that he and Butler are in the finishing stages of recording the latter’s new album. She stayed in the ensemble when Whalum came up and joyfully shared what he called a song “based on a praise chorus,” heralding Butler’s own faith-driven artistry with a graceful and smoky turned soaring high octane gospel jazz number. One of the most dynamic of the unexpected pleasures was the opening act, Andrea Lisa, whose sensual R&B vocals on Butler’s classic “This is Love” were complemented with crackling electric guitar licks. Though everyone was restlessly waiting for the man of the hour to perform, the show’s organizers wisely ensured that the first hour ran as a slow-simmering tribute/buildup to the main event. The house was packed with genre greats, including Marcus Miller, Kirk Whalum and Rick Braun, who took the stage and performed – much as they do on the casual freewheeling affairs at sea. The B-day bash was introduced by a cruise regular, comic Alonzo Boden, who tried in vain to make roast-like comments about the much-beloved and, aside from his short stature and unique fashion choices, hard-to-poke-fun-at Butler. The South African-born guitarist has been a charismatic presence on those excursions for years, headlining shows, participating in jams and, perhaps most memorably, serving as maestro for one of the cruise’s Gospel Show. Though Jonathan Butler’s all-star 60 th Birthday celebration was decidedly landlocked at Herb Alpert’s swanky Vibrato Grill Jazz up off Mulholland Drive in Los Angeles, the vibrant, high-spirited and eminently grooving evening had all the spontaneous markings of one of the great recent perennial traditions in contemporary jazz – The Smooth Jazz Cruise.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |